you know, i'd like to keep my cheeks dry today ("no rain," blind melon)
i hear as you know, i'd like to keep my jeans dry, jeanine.
you've got your ball. you've got your chain ("crush," dave matthews band)
i hear as you got shit-all. you got short-changed.
(how) do you incorporate typos, mis-hearings, and mis-readings into your work?
formerly 537neon
a.rawlings' books and chapbooks
- Wide slumber for lepidopterists, Coach House Books 2006 (author), second printing
- W I D E R: B-sides, rarities, and remixes, belladonna* 2006 (author)
- Shift & Switch: New Canadian Poetry, The Mercury Press 2005 (co-editor), second printing
- A Sing Economy, Flim Forum Press 2008 (contributor with François Luong)
- 131.839 slög með bilum, 2007 (includes translated excerpt from WSfL)
- Strong Words: Year Two, Indiepolitik 2007 (contributor)
- Desire, Doom, & Vice, a Canadian Collection, Wingate Press 2005 (contributor)
- Pissing Ice: An Anthology of 'New' Canadian Poets, BookThug 2004 (contributor)
- [a,r] [s'c], housepress 2002 (co-written with Stephen Cain)
- The Common Sky: Canadian Writers Against the War, Three Squares Press 2002 (contributor)
1 comment:
I wrote half of a poem (the right-side half) from my impression of the lyrics from a song I heard on TV. I'm not entirely sure what the lyrics were because I was paying attention to the show.
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